Pintura Identificación:: 2262
The Lamentation of Christ Lamentación de Cristo The Lamentation of Christ The Lamentation de Christ 1415-1492
French
Jaime Huguet Galleries
Pintura Identificación:: 2333
The Lamentation of Christ la Lamentación de Cristo 1524
Musee du Louvre, Paris 1524 Musee du Louvre, Paris 1853-1918
Swiss Ferdinand Hodler Galleries
Pintura Identificación:: 10032
The Lamentation of Christ lamentación de Cristo c. 1460
Oil on wood,
69 x 49 cm Louvre c. 1460 Óleo en Madera, 69 x 49 cm Louvre 1420-1475
Flemish
Dieric Bouts Locations
Pintura Identificación:: 10046
The Lamentation of Christ lamentación de Cristo 1467-68
Oil on oak,
33,8 x 23 cm
Kunsthistorisches
Museum, Vienna 1467-68 óleo en roble, 33,8 x 23 cm Kunsthistorisches Museo, Viena 1440-1482
Flemish
Hugo van der Goes Galleries
Pintura Identificación:: 31288
The Lamentation of Christ La Lamentación de Cristo 1467-68
Oil on oak, 33,8 x 23 cm
Kunsthistorisches Museum, Vienna 1467-68 Petróleo en el roble,33.8 X 23 cm Museo de Kunsthistorisches, Viena Netherlandish Northern Renaissance Painter, ca.1440-1482
Pintura Identificación:: 33311
The Lamentation of Christ La Lamentación de Cristo mk86
1303-1305
Fresco
185x200cm
Padua,Arena Chapel
mk86 1303-1305 Fresco 185x200cm Padua, Capilla de Arena Italian Early Renaissance Painter, 1267-1337
Pintura Identificación:: 33348
The Lamentation of Christ La Lamentación de Cristo mk86
1436
Tempera on wood
108x165cm
Florence,Museo di San Marco
mk86 1436 Témpera enla madera 108x165cm Florencia, Museo Di San Marco Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Pintura Identificación:: 33566
The Lamentation of Christ La Lamentación de Cristo mk86
1606
Oil on canvas
92.8x103.2cm
London,National Gallery
mk86 1606 Engrasan en la lona 92.8x103.2cm Londres, la GaleríaNacional 1560-1609
Italian
Annibale Carracci Locations
Pintura Identificación:: 83100
The Lamentation of Christ Date between 1467(1467) and 1468(1468)
Medium Oil on oak
Dimensions Height: 33.8 cm (13.3 in). Width: 23 cm (9.1 in).
cjr 1440-1482
Flemish
Hugo van der Goes Galleries
Pintura Identificación:: 87249
The Lamentation of Christ between 1467(1467) and 1468(1468)
Medium Oil on oak
cyf 1440-1482
Flemish
Hugo van der Goes Galleries
van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
Pintura Identificación:: 88300
The Lamentation of Christ c. 1624(1624)
Medium Oil on canvas
Dimensions 155 x 180.5 cm (61 x 71.1 in)
cyf van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
Abraham Janssens van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
The Lamentation of Christ
